Beaulieu Vineyard hospitality interiors by BAMO featuring restored stone architecture and contemporary furnishings in Napa Valley
Food & Beverage

Beaulieu Vineyard

For more than a century, Beaulieu Vineyard has played a defining role in Napa Valley, shaped by the vision of founder Georges de Latour and legendary winemaker André Tchelistcheff. Its renewed hospitality center returns guests to the estate’s original stone winery, restoring the architecture that has witnessed generations of California winemaking. Rather than recreate a former era, BAMO built upon what was already there. Historic masonry, reclaimed timber, archival wines, and artifacts from the estate are brought into a contemporary setting that gives BV’s history renewed relevance. The result is not a museum, but a living estate made for tasting, gathering, and celebration.
  • Location

    Napa, California

  • Owner

    Treasury Wine Estates

  • Architect

    Signum Architecture

  • Landscape Architect

    Blasen Landscape Architecture

  • Builder

    Wright Contracting

  • Photographer

    Adam Potts

  • Lighting Consultant

    Vita Pehar Design, Inc.

  • Art Consultant

    Jasmin Bode

  • Structural Engineers

    Degen Klob Engineers

  • Press

    Wine Spectator, Galerie Magazine

  • Team Members

    Janet Mercier

Beaulieu Vineyard hospitality interiors by BAMO featuring restored stone architecture and contemporary furnishings in Napa Valley
“A sweeping restoration by Signum Architecture and BAMO has breathed new life into one of California wine’s most influential estates.” Galerie Magazine Ryan Waddoups

Building Upon a Legacy, a Living Estate

The original stone buildings provide the project with both its authority and its character. Their substantial masonry, irregular surfaces, and traces of use were preserved as a record of the estate, while new architectural openings, custom millwork, integrated lighting, and contemporary furnishings introduce a distinct present-day vocabulary.

Materials reinforce that continuity. Redwood reclaimed from the winery’s former fermentation vats appears overhead in the Rutherford Atrium, while salvaged timber, oak, leathered stone, cork, warm metals, and bronzed mirror give the interiors depth and tactility. The contrast is intentional: the new work does not imitate the historic architecture, but gives it greater presence.

The renewed estate accommodates a broad range of hospitality, from the central tasting bar and public galleries to the Georges de Latour Wine Library, Members Bar, Rarity Room, private event spaces, and outdoor terraces. Each has its own atmosphere, yet all remain unmistakably part of Beaulieu Vineyard.

Anticipation became one of the project’s central design strategies.

The interiors are composed as a sequence of framed views, with each room offering a glimpse of what lies beyond. A courtyard appears past the tasting bar; archive bottles glow within the stone wine library; artifacts are embedded into the architecture; and shifts in light, scale, and material quietly draw guests forward.

Display is integral to this sequence. Wine, historic documents, recovered objects, and collected memorabilia are treated as architectural elements rather than decoration. In the Reception Gallery, an illuminated timeline introduces the people and events that shaped BV. Elsewhere, wine-box detailing informs the Rarity Room millwork, magnums are incorporated into custom cabinetry, and the Georges de Latour Wine Library places the estate’s archive at the center of the room.

These moments reveal BV gradually, rewarding curiosity rather than presenting its history all at once. The winery’s legacy emerges through the movement between spaces, the objects encountered along the way, and the enduring marks left within the buildings themselves.

“We were never interested in recreating the past. The history was already present in the stone, the timber, the wines, and the objects that had survived at the estate. Our role was to bring those elements forward and give them room to speak, while creating a winery that feels welcoming, relevant, and very much alive.” Janet Mercier BAMO, Associate Principal